Issue 1, July 2003
Editor's Letter

Hi there!

For those of you visiting for the first time, the first three issues of Vintage Keys Magazine are still available from the links below (and will be for the forseeable future). For those of you who have been visiting this site for a while (and who were wondering just when Issue 4 was going to appear), here is some news.

At the beginning of this year I lost my day-job. All my efforts since then have been channeled into supporting my family, and naturally Vintage Keys Magazine (while arguably of considerable value to our community) is of a lower priority to me than anything which might actually bring in some money!

Rather than just say "watch this space", I thought I'd post a bulletin, outlining recent developments in the world of vintage keyboards and describing what you can look forward to, once I'm in full-time employment again.

Meanwhile, if anyone out there knows of any work for a web programmer/designer in the London (UK) area, please contact me!

Simon Beck, Editor, Vintage Keys


ARCHIVE - Links to previous issues of Vintage Keys
Issue 1
Issue 2
Issue 3

Vintage Keyboard Research Update

Since Issue 3, several "new" keyboards have been identified or cross-referenced.

Among electric pianos, the most interesting discovery has been the source of the mysterious Maestro electric piano. You may recall that this is a 61-note instrument based closely on the Wurlitzer design. It transpires that the instrument is fairly well-known in its native Japan, where it was marketed by Columbia as the Elepian from 1963 to about 1980. Evidently Gibson imported the console model for use in teaching labs and renamed it "Maestro". Certainly the portable "Combo Elepian" model (below) is seldom seen outside Japan.

Hohner's Electra-Piano (the German company's Fender Rhodes clone) has become a viable alternative to the Rhodes once again thanks to the on-line manual (pdf format) at www.clavinet.com. And on the same subject, the ultra-rare "stage" version of the Electra-Piano has finally made an appearance. Known as the Electra-Piano T (below), it uses a completely different action made from sheet metal and plastics. The "T" seems to actually be that dream item - a "Rhodes" that weighs less than a Wurlitzer. Shame that they're so rare. And ugly.

As usual, a few Fender Rhodes oddities have shown up. The most interesting has to be the rather cute Piano 49 (below). This appears to be a "Suitcase" version of the Celeste, but unlike that model it has a sustain pedal. The speaker cab is suitably scaled down, and is not the same as the one used with the "Piano 61" shown in the 1963 Fender catalogue.

Other Rhodes rarities include two unusual versions of the Student piano, including the "Star Trek" version (below) and the elusive "twin-pedestal" version (bottom).


Organ news includes the identification of what is probably the final version of the single-manual Vox Continental. Known officially as the "Continental 71" (and apparently dating from that year), the 71 not only has centrally-mounted drawbars but also preset tabs not unlike those of the Continental 300. Also in the world of Vox, it has now been established that the Vox Junior is indeed another version of the Gem Mini, albeit repackaged with Vox colours and reverse keyboard.

Finally, a certain individual's obsession with early-70s sitcom "The Partridge Family" has not only led to the finding of at least three Elka Panther 2200 organs (formerly thought to be unique) but also the positive identification of a "mystery piano" seen on the programme as a Japanese Hillwood electronic piano. The individual in question now has one of each, so we hope he's happy. Each to his own...


Stuff to look forward to

When Issue 4 eventually appears, we'll have some great stuff for you.

Celebrity Keys Interviews:

  • Top '70s session keyboardist John "Rabbit" Bundrick (Bob Marley, The Who) has agreed to an exclusive interview
  • Deb O'Nair, Vox enthusiast formerly of Das Fürlines and currently with the Fuzztones has asked to be interviewed!

Focus On...

  • Early Polysynths. Moog, Sequential, Oberheim, Yamaha and other pre-MIDI monsters
  • Key Punk Operator. A look at the early recordings of the Stranglers, featuring the lightning-speed arpeggios of the sublime Dave Greenfield.

Fun Key

  • The Fumbler Rogues Piano. Everybody's heard it - the unique sound of the Rogues Nutcase Piano is to funk and disco music what the banjo is to... er... funk and disco music. But what is the TRUE story of the collaboration between banjo-maker Larry Fumbler and "slightly dodgy piano teacher" Arnold Rogues? Find out as JC Phillips traces the history of the Rogues Piano from the overpriced 1948 "Pro-piano" (designed for spoilt Californian pre-schoolers) to the Mk V Stooge Piano (actually a MIDI controller filled with completely unnecessary lead weights)